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Lynda.com Foundations of Audio Compression and Dynamic Processing UPDATE

20$
Buy!Download Size: 2.98 GB


2014
Lynda.com
Brian Lee White
02:25:00
English

In this first installment of the Foundations of Audio series, author Brian Lee White shows how to improve the sound of a mix with compressors, limiters, gates, de-essers, and other dynamic processors. The course explains the fundamentals of sound waves, and amplitude, explores common compressor controls, and shows how to eliminate unwanted noise using gates and expanders. The course also demonstrates best practices in compression and limiting in a variety of audio applications and covers sculpting the attack and decay of individual notes with transient shapers and applying frequency specific dynamics control with multiband compressors. Exercise files accompany the course and include special Get in the Mix session files.

0. Introduction 4m 56s
Welcome 1m 49s
What you should know before watching this course 32s
Using the exercise files 53s
Using the "Get in the Mix" Pro Tools and Logic Pro session files 1m 42s
1. Audio Dynamics 13m 47s
What is amplitude? 1m 51s
Measuring amplitude 1m 57s
What is dynamic range? 4m 8s
What are dynamics processors? 3m 36s
Hardware and software dynamics processors 2m 15s
2. Compressors 38m 40s
Introducing compressors 1m 45s
Understanding threshold 1m 29s
Utilizing compression ratios 3m 0s
Understanding makeup gain and gain reduction 3m 13s
Understanding attack and release 2m 12s
Applying attack and release 5m 22s
Demystifying compression controls: soft knee vs. hard knee 2m 43s
Get in the Mix: Using compression to even out a vocal performance UPDATED 4m 55s
Get in the Mix: Using compression to add punch and sustain to drums UPDATED 4m 39s
Intelligently using compression presets 3m 6s
Recording with compression: Why or why not? 2m 53s
Recording with compression: How to do it 3m 23s
3. Limiters 18m 50s
Introducing limiters 1m 59s
Types of limiters 4m 17s
Get in the Mix: Maximizing mix loudness with brickwall limiters UPDATED 5m 58s
Solving common mix problems with limiters 2m 58s
Using layered dynamics processing 3m 38s
4. Special Dynamics Processors 26m 49s
Understanding and using de-essers 3m 46s
Get in the Mix: De-essing a vocal track UPDATED 3m 30s
Understanding and using gates 4m 41s
Understanding and using expanders 1m 35s
Get in the Mix: Gating a drum track UPDATED 3m 18s
Understanding and using multi-band compressors/limiters 3m 31s
Controlling frequency content with multi-band compressors 3m 3s
Understanding and using transient shapers 3m 25s
5. Advanced Topics 36m 38s
Effectively using side-chain inputs 2m 6s
Using side chains creatively 5m 4s
Keying gates and compressors (and/or ducking) 4m 12s
Managing gain staging and headroom and fixing over-compressed tracks 3m 20s
Compression first or EQ first? 2m 56s
Understanding mix bus compression 3m 26s
Get in the Mix: Using mix bus compression UPDATED 2m 47s
Get in the Mix: Working with parallel compression UPDATED 3m 46s
Working with "modeled" vintage compressor/limiter plug-ins 5m 57s
Building healthy compression/limiting habits 3m 4s
6. Conclusion 14s
Goodbye 14s
7. An Interview with the Author 5m 51s
A session with Brian Lee White 5m 51s

www.lynda.com/Logic-Pro-tutorials/Foundations-of-Audio-Compression-and-Dynamic-Processing/85998-2.html


Lynda.com Foundations of Audio Compression and Dynamic Processing UPDATE

20$
Buy!Download Size: 2.98 GB


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